Howl’s Transferring Citadel is famend for its enchanting visuals and all these whimsical particulars that make up the Ghibli aesthetic. Within the following tutorial, we’ll bounce into Adobe Illustrator and study to create a textual content impact impressed by Studio Ghibli’s artwork fashion.
Let’s dive in and get some Miyazaki inspiration on this lettering tutorial.
What you will study on this tutorial
- The best way to create a textual content impact in Illustrator
- The best way to create the textual content impact legs
- The best way to create the textual content impact decorations
What you will want
You have to the next font to finish this Studio Ghibli idea artwork:
1. The best way to create a brand new doc and arrange a grid
Hit Management-N to create a brand new doc. Choose Pixels from the Items drop-down menu, set the Width to 1700 px and the Top to 800 px, after which click on that Superior Choices button. Choose RGB for the Colour Mode, set the Raster Results to Display (72 ppi), after which click on the Create button.
Allow the Grid (View > Present Grid or Management-“) and Snap to Grid (View > Snap to Grid or Shift-Management-“). You have to a grid each 5 px, so merely go to Edit > Preferences > Guides & Grid, enter 5 within the Gridline each field and 1 within the Subdivisions field. Strive to not get discouraged by all that grid—it’ll make your work simpler, and remember that you possibly can simply allow or disable it utilizing the Management-“ keyboard shortcut.
You must also open the Information panel (Window > Information) for a reside preview with the scale and place of your shapes. Do not forget to set the unit of measurement to pixels from Edit > Preferences > Items. All these choices will considerably enhance your work pace. Now that you simply’re set, let’s begin the work on our Miyazaki-inspired design.
2. The best way to create the textual content
Decide the Sort Device (T) out of your Toolbar after which concentrate on the colour settings. Choose the stroke and take away the colour, after which double-click the fill and exchange the present colour with R=165 G=114 B=104. Be at liberty to save lots of this colour contained in the Swatches panel (Window > Swatches) as you will want it all through this tutorial.
Transfer to the Management panel (Window > Management) to set the settings for the textual content that you simply’re about so as to add. Choose the Arco font, enhance the Measurement to 300 pt, and verify the Align Heart button. Now merely click on on the arboard to sort in your textual content. For this tutorial, we’ll use “GHIBLI”. Transfer it roughly to the middle of the artboard after which flip it into vector shapes by going to Sort > Create Outlines (Shift-Management-O). Press Shift-Management-G to Ungroup the ensuing group of shapes.
3. The best way to create the textual content impact cutouts
Step 1
Disable the Snap to Grid (View > Snap to Grid or Shift-Management-“) and go to Edit > Preferences > Normal to set the Keyboard Increment to 5 px.
Choose your “G” form and add a duplicate in entrance (Management-C > Management-F). Maintain the copy chosen and press Shift-X which can swap the present Fill and Stroke colour settings. Deal with the Management panel to extend the Stroke Weight to 3 px and exchange the present colour with black, or some other colour that makes your define stand out. Open the Graphic Kinds panel (Window > Graphic Kinds) and save the settings of this outlined “G” by clicking the New Graphic Type button. We’ll use this fashion repeatedly, so having a saved graphic fashion ought to prevent a while. If you wish to be further organized, you possibly can double-click this graphic fashion and rename it “Black Stroke”.
Add a duplicate of your outlined “G” (Management-C > Management-F). Have this new copy chosen and transfer it 110 px up utilizing the up arrow key and 70 px to the left utilizing the left arrow key. Due to the Keyboard Increment setting, your form will transfer 5 px with every press of an arrow key. Be at liberty to extend the worth to 10 px, however bear in mind to set it again to 5 px when wanted in a while.
Step 2
Choose each outlined “G”s and decide the Form Builder Device (Shift-M) out of your Toolbar. Maintain down Alt and hover your cursor over the define that goes exterior the unique form. Merely click on it to take away it. Use this similar method to take away the remainder of the paths till you find yourself with simply the one proven within the fourth picture.
Step 3
Choose the trail made within the earlier step, and let’s stylize it. Choose the stroke, maintain the Weight set to 3 px, exchange the colour with R=100 G=27 B=26, after which go to Impact > Stylize > Drop Shadow. Enter the settings proven beneath and click on OK.
Save the settings of this path as a brand new graphic fashion and title it “Shadow Down”. Additionally, be happy to save lots of the colour used for the Stroke within the Swatches panel as you will want it once more loads of instances.
Step 4
Add a brand new copy of your “G” (Management-C > Management-F), choose it, and apply your “Black Stroke” graphic fashion. Duplicate this outlined “G” (Management-C > Management-F) and transfer the copy 40 px down and 50 px to the precise.
Choose each outlined “G”s and utilizing the Form Builder Device (Shift-M) take away all of the paths besides the one proven within the second picture. Choose the remaining path and apply your “Shadow Down” graphic fashion.
Step 5
Add a brand new copy of your “G” (Management-C > Management-F), choose it, and apply your “Black Stroke” graphic fashion. Duplicate this outlined “G” (Management-C > Management-F) and transfer the copy 60 px up and 130 px to the precise.
Choose each outlined “G”s and utilizing the Form Builder Device (Shift-M) take away all of the paths besides the one proven within the second picture.
Step 6
Choose the trail made within the earlier step and exchange the present Stroke colour with R=100 G=27 B=26, after which go to Impact > Stylize > Drop Shadow. Enter the settings proven beneath and click on OK.
Save the attributes of this path as a brand new graphic fashion and title it “Shadow Proper”.
Step 7
Transfer to the “H” form and comply with the identical methods that have been used for the “G” form so as to add the paths proven within the following pictures. Don’t fret about getting similar designs—simply use them as a reference.
When you get your paths, remember you could shortly stylize them utilizing your saved graphic kinds.
Step 8
Proceed with the primary “I” form and add the 2 paths proven within the following pictures.
Step 9
Transferring to the “B” form, let’s add the primary stylized path, as proven within the following pictures.
Step 10
Allow Snap to Grid (View > Snap to Grid or Shift-Management-“) for a couple of moments. Utilizing the Line Device (), draw a 255 px vertical path as proven within the following picture. Add a 3 px stroke for this path, after which go to Impact > Warp > Arc. Enter the settings proven beneath, click on OK, after which go to Object > Broaden Look. Disable Snap to Grid (View > Snap to Grid or Shift-Management-“).
Step 11
With the trail made within the earlier step, let’s use the Form Builder Device (Shift-M) so as to add the remainder of the paths that cross over your “B” form.
Step 12
Proceed with the “L” form and add the 2 paths proven within the following pictures.
Step 13
Lastly, transfer to the second “I” form and add the 2 paths proven within the following pictures.
4. The best way to create the Ghibli aesthetic with shading, highlights, and descriptions
Step 1
Choose all of your letter shapes and merge them right into a single compound path (Object > Compound Path > Make or Management-8).
Be sure that your compound path is chosen and add two copies in entrance (Management-C > Management-F > Management-F). Choose solely the entrance copy and transfer it 10 px to the left. Now reselect each copies, open the Pathfinder panel (Window > Pathfinder), and click on the Minus Entrance button. Fill the ensuing shapes with R=221 G=164 B=105 and switch them into a brand new compound path (Management-8). Earlier than we proceed, save this colour within the Swatches panel because it’s one other a kind of that you will want once more.
Step 2
Reselect your most important compound path and add one other two copies in entrance (Management-C > Management-F > Management-F). Choose simply the entrance copy and transfer it 10 px to the precise.
Once more, choose each copies and click on the Minus Entrance button from the Pathfinder panel. Flip the ensuing group of shapes into a brand new compound path, fill it with R=100 G=27 B=26, decrease its Opacity to 30%, and alter the Mixing Mode to Comfortable Mild.
Step 3
Reselect your most important compound path, and this time add a duplicate in entrance of your complete design (Management-C > Shift-Management-V).
Maintain it chosen and press Shift-X to swap the Fill and Stroke colour settings. Improve the Stroke Weight to 3 px and alter its colour to R=100 G=27 B=26, after which open the Stroke fly-out panel to verify the Spherical Be part of button.
Step 4
Now, should you take a more in-depth take a look at the sides of your textual content, you may discover some refined paths that reach past the sides of your define. We’ll use the Pen Device (P) to attract some curvy path that cowl these overflowing sections. These paths may also assist with the general look of your design, so do not restrict your self to the overflowing sections. Add two or three such paths to every letter, roughly as proven within the following pictures.
Step 5
Allow Snap to Grid (View > Snap to Grid or Shift-Management-“). Utilizing the Ellipse Device (L), create a bunch of 5 px circles and unfold them throughout your letter shapes, roughly as proven within the following pictures.
Step 6
Utilizing the Pen Device (P) or the Line Device (), create a 20 px horizontal path. Add a 3 px stroke, set its colour to R=100 G=27 B=26, and remember to verify the Spherical Cap button from the Stroke fly-out panel.
Deal with the Look panel (Window > Look) to pick the Stroke, and to be able to multiply it, let’s go to Impact > Distort & Remodel > Remodel. Set the variety of Copies to 4, drag the Transfer-Vertical slider to 5 px, after which click on OK.
Step 7
Maintain your horizontal path chosen and go to Impact > Stylize > Drop Shadow. Enter the settings proven beneath, click on OK, and go to Impact > Warp > Bulge. Enter the settings indicated within the following picture and click on OK.
Take a look on the Look panel and make it possible for the Warp impact goes beneath the Remodel impact. This manner, the warp impact will distort all of the copies added by the Remodel impact, not solely the unique one.
Step 8
Add two copies of your warped strains and place them roughly as proven within the following picture. Choose the one which’s on high of your “L” and concentrate on the Look panel. Click on the present Warp impact to edit it. Substitute the Bulge with an Arch impact and drag the Bend slider to -5%, after which click on OK. Transfer to the opposite set of strains and exchange the present Warp impact with the second Arch impact proven within the following picture.
5. The best way to create the textual content impact legs
Step 1
Now, let’s manage your design parts within the Layers panel (Window > Layers). Double-click the present layer and rename it “LETTERS”, after which add a second one utilizing the Create New Layer button. Identify it “LEGS” and drag it beneath the present layer. You too can lock the “LETTERS” layer to be sure to do not choose or transfer objects inside it by chance.
Have the “LEGS” layer chosen to make it possible for the brand new shapes that you simply’re about so as to add will go inside it. Utilizing the Rectangle Device (M), create two 25 x 10 px shapes. Place them subsequent to one another, as proven beneath. Fill each shapes with R=165 G=114 B=105 and add a 3 px stroke. Set its colour to R=100 G=27 B=26 and remember to verify the Spherical Be part of button from the Stroke fly-out panel.
Change to the Delete Anchor Level Device (-) and easily click on the highlighted anchor factors to take away them. This could flip your two rectangles into triangles, as proven within the second picture.
Step 2
Utilizing the Ellipse Device (L), create two 20 px circles and place them as proven within the following picture. Fill these shapes with R=221 G=164 B=105 and add a 3 px stroke. Set its colour to R=100 G=27 B=26 after which concentrate on the Look panel so as to add a second fill for these circles. Choose it and set the colour to R=165 G=114 B=105, after which go to Impact > Distort & Remodel > Remodel. To start with, verify the middle-right reference level, after which drag each Scale sliders to 80%.
Step 3
Use the Pen Device (P) to attract a three-pointed path, as proven beneath. Add a 10 px stroke for this path and set its colour to R=100 G=27 B=26. Merely press Shift-Management-[ to move this path behind the rest of your design.
Step 4
Select the path made in the previous path and focus on the Appearance panel. Use the Add New Stroke button to add a second stroke and select it. Set its Weight to 4 px and replace the existing color with R=165 G=114 B=105.
Add a third stroke on top of the existing ones and select it. Set its Weight to 2 px, replace the existing color with R=221 G=164 B=105, and then go to Effect > Distort & Transform > Transform. Just drag that Move-Horizontal slider to 1 px and click OK.
Step 5
Keep your path selected and add one more stroke on top of the existing ones. Select it, set its Weight to 6 px, replace the existing color with R=100 G=27 B=26, and then open its Stroke fly-out panel. Check that Dashed Line box and then enter 2 px and 4 px in the first dash and gap boxes.
Step 6
Keep focusing on the path edited in the previous step, and use the Direct Selection Tool (A) to select only the anchor point highlighted in the first image. Go to the Control panel and click Cut path, which will slice your path.
Step 7
Not that your design is complete, it’s time to multiply it and add a pair of legs for each letter of your text.
Step 8
To add a bit of dynamism, let’s move some of these legs. Focus on one of your legs to see how you can adjust it. First, select the bottom of the leg and expand its content by going to Object > Expand Appearance.
Continue with the Rotate Tool (R) and click the center of the top circle to move the reference point to that exact location. The Snap to Grid feature should make it snap nicely. Now simply click and drag to rotate the leg piece as you wish. Use the same technique to adjust the rest of the legs roughly as shown in the final image.
6. How to decorate the text effect with a large castle tower
Step 1
Add a new layer, drag it below the existing ones, and then select it. Start with the Ellipse Tool (L) and use it to create a 120 px circle. Continue with the Rectangle Tool (M), create a 120 x 20 px shape and place it on top of the ellipse, as shown in the first image.
Select both shapes and switch to the Shape Builder Tool (Shift-M). First, hold down the Alt key and click on the bottom part of your circle to remove it. Next, hold down the Shift key and click and drag to create a selection around the rectangle. This will merge all your shapes.
Step 2
Select the shape made in the previous step and set its color to R=188 G=188 B=188, and then add a copy in front (Control-C > Control-F).
Fill this copy with R=218 G=218 B=218 and then use the bounding box to squeeze it to a width of 60 px.
Once you’re done, select both shapes and click the Divide button from the Pathfinder panel. Ungroup the resulting group of shapes (Shift-Control-G) and then select the rightmost shape to change its fill color to R=218 G=218 B=218.
Step 3
Select the rightmost grey shape and add two copies in front (Control-C > Control-F > Control-F). Select just the top copy and move it 10 px to the left. Reselect both copies and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with white (R=255 G=255 B=255) and change its Blending Mode to Soft Light.
Select the leftmost grey shape and add two copies in front (Control-C > Control-F > Control-F). Select just the top copy, and this time move it 10 px to the right. Reselect both copies and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with R=158 G=158 B=158.
Step 4
Select the three main grey shapes and add copies in place (Control-C > Shift-Control-V). Keep these copies selected, remove the fill colors, and add a 3 px stroke. Set the color to R=100 G=27 B=26.
Step 5
Pick the Rectangle Tool (M), create a 130 x 30 px shape, fill it with R=165 G=114 B=105, and place it as shown in the first image. Using the same tool, add six 10 x 15 px shapes and place them as shown in the second image.
Select all of these rectangles and click the Minus Front button from the Pathfinder panel. Use the Direct Selection Tool (A) to select the two anchor points highlighted in the third image and then go to the Control panel to set the Corners radius to 10 px.
Step 6
Select your stylized brick-wall shape and add two copies in front (Control-C > Control-F > Control-F). Select the top copy and move it 5 px to the right. Reselect both copies and click the Minus Front button from the Pathfinder panel. Turn the resulting group of shapes into a compound path (Control-8), set its color to R=100 G=27 B=26, lower its Opacity to 30%, and change the Blending Mode to Soft Light.
Reselect your stylized brick-wall shape and add two new copies in front (Control-C > Control-F > Control-F). Select the top copy and this time move it 5 px to the left. Reselect both copies and click the Minus Front button from the Pathfinder panel. Ungroup the resulting group of shapes, remove the tiny rectangles, and only keep the rightmost shape. Set its color to R=221 G=164 B=105.
Step 7
Select your stylized brick-wall shape and add a copy in place (Control-C > Shift-Control-V). Remove the fill color of this shape, add a 3 px stroke, set its color to R=100 G=27 B=26, and then don’t forget to check the Round Cap button from the Stroke fly-out panel.
Step 8
Using the Rectangle Tool (M) and the Direct Selection Tool (A), create the square and the trapezoid shown in the following images. Fill both shapes with R=128 G=128 B=128 and add a 3 px stroke. Set its color to R=100 G=27 B=26 and remember to check the Round Join button from the Stroke fly-out panel.
Step 9
Use the Rectangle Tool (M) to add a 120 x 10 px shape, fill it with R=100 G=27 B=26 and place it as shown in the first image. You can press Control-[ a few times to move this rectangle behind the stylized brick wall. Select all the shapes that make up this castle tower and press Control-G to Group them.
Step 10
Using the Rectangle Tool (M), create a 110 x 55 px shape, fill it with R=110 G=27 B=26, and place it behind the “G”, as shown in the first image. Next to this rectangle, add your castle tower group.
Step 11
Grab the Pen Tool (P) and draw some curvy paths which should blend your castle tower with the letter shapes.
Also add these colored shapes to further stylize the part that connects your castle tower with the letter.
7. How to decorate the text effect with smokestacks
Step 1
Add a new layer, drag it below the existing ones, and select it.
Use the Rectangle Tool (M) and the Direct Selection Tool (A) to create the set of shapes shown in the first image. Fill all of these shapes with R=165 G=114 B=105, align them in a perfect column, and then turn them into a single compound path (Control-8).
Step 2
Add copies of your latest compound path (Control-C > Control-V > Control-F). Select the front one and move it 5 px to the left. Reselect both copies and click the Minus Front button from the Pathfinder panel. Fill the resulting path with R=221 G=164 B=105.
Reselect the compound path made in the previous step and add another two copies in front (Control-C > Control-V > Control-F). Select the front one and move it 5 px to the right. Reselect both copies and click the Minus Front button from the Pathfinder panel. Fill the resulting path with R=100 G=27 B=26, lower its Opacity to 30%, and change its Blending Mode to Soft Light.
Step 3
Add one more copy of that main compound path (Shift-Control-V). Remove its fill color and then select the Stroke. Set the color to R=100 G=27 B=26 and increase the Weight to 3 px.
Step 4
Using the same techniques to add the two smokestack designs shown below. You can create these from scratch or just create a copy of the existing one and then use the Direct Selection Tool (A) to select and adjust the position of the anchor points.
Once you’re done, place your smokestack designs behind the “H”, roughly as shown in the following image.
8. How to add the balcony
Step 1
Add a new layer and this time drag it on top of the existing layers. Remember to select it.
Use the Rectangle Tool (M) to create a 25 x 35 px shape. Fill it with R=165 G=114 B=105 and add a 3 px stroke. Set its color to R=100 G=27 B=26 and don’t forget to check the Round Join button.
Continue with the Pen Tool (P) and use it to create the shape shown in the second image. Keep the existing stroke and replace the fill color with the same one that’s used for the stroke.
Step 2
Use the Pen Tool (P) to create a shape like the one shown in the first image. Keep that 3 px stroke, but replace the fill color with R=221 G=164 B=105.
Using the same appearance attributes and the Rectangle Tool (M), create a 15 x 10 px shape and place it as shown in the second image.
Reselect the Pen Tool (P) and draw a horizontal path as shown in the third image. You need to lower the Stroke Weight to 2 px.
Step 3
Use the Pen Tool (P) to draw an oblique path as shown in the first image. Select it, increase the Weight to 3 px, and then go to Effect > Distort & Transform > Transform. Set the number of Copies to 6, drag the Move-Horizontal slider to -5 px, and then click OK.
Continue with the Pen Tool (P) and use it to draw the path shown in the second image. Select it and lower the Weight to 2 px, and then go again to Effect > Distort & Transform > Transform. Set the number of Copies to 4, drag the Move-Horizontal slider to -5 px, and then click OK.
Step 4
Select all the shapes that make up your tiny house and Group them (Control-G). Place this new group as shown in the second image.
9. How to add the small castle tower
Step 1
Add a new layer, drag it below the existing ones, and then select it. We’ll create a slightly different version of that castle tower design.
Start with the Ellipse Tool (L) and use it to create a 55 x 60 px shape. Continue with the Rectangle Tool (M), creating a 55 x 10 px shape and placing it on top of the ellipse as shown in the first image.
Select both shapes and use the Shape Builder Tool (Shift-M) to remove the bottom part of the circle and then merge the remaining shapes. Fill the resulting shape with white (R=255 G=255 B=255). Add a copy of this shape (Control-C > Control-F), change its color to R=218 G=218 B=218, and then squeeze it to a width of 25 px.
Step 2
Select both shapes made in the previous step and click the Divide button from the Pathfinder panel. Ungroup (Shift-Control-G) the resulting group of shapes and select the leftmost shape to change its color to R=158 G=158 B=158.
Step 3
Select the middle grey shape and add a copy in front (Control-C > Control-F). Select it to remove the fill color and apply a 1 px stroke. Set its color to R=100 G=27 B=26.
Select all three grey shapes and add copies in place (Control-C > Shift-Control-V). Merge these copies using the Unite button from the Pathfinder panel. Again, remove the fill color that’s applied for this shape and add a 3 px stroke. Use that same color.
Step 4
Use the Ellipse Tool (L) to create two 10 px circles and place them as shown below. Fill both shapes with R=165 G=114 B=105 and add a 3 px stroke. Set its color to R=100 G=27 B=26 and then add a second fill. Select it and set the color to R=221 G=164 B=105, and then go to Effect > Path > Offset Path. Set the Offset to -3 px and click OK.
Step 5
Pick the Rectangle Tool (M), create a 65 x 15 px shape, fill it with R=165 G=114 B=105, and place it as shown in the first image. Using the same tool, add six 5 x 10 px shapes and place them as shown below.
Select all of these rectangles and click the Minus Front button from the Pathfinder panel. Use the Direct Selection Tool (A) to select the two anchor points highlighted in the second image and set the Corners radius to 10 px.
Step 6
Select your stylized brick-wall shape and add two copies in front (Control-C > Control-F > Control-F). Select the top copy and move it 10 px to the right. Reselect both copies and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with R=100 G=27 B=26, lower its Opacity to 30%, and change the Blending Mode to Soft Light.
Reselect your stylized brick-wall shape and add two new copies in front (Control-C > Control-F > Control-F). Select the top copy, and this time move it 10 px to the left. Reselect both copies and click the Minus Front button from the Pathfinder panel. Fill the resulting shape with R=221 G=164 B=105.
Step 7
Select your stylized brick-wall shape and add a copy in place (Control-C > Shift-Control-V). Remove the fill color of this shape, add a 3 px stroke, set its color to R=100 G=27 B=26, and then don’t forget to check the Round Cap button from the Stroke fly-out panel. Once you’re done, select all the shapes that make up this castle tower and Group them (Control-G).
Step 8
Using the Rectangle Tool (M), create an 80 x 30 px shape, fill it with R=110 G=27 B=26, and place it behind the “B”, as shown in the first image. Next to this rectangle, add your tiny castle tower group.
Step 9
Add some copies of your smokestack designs behind the tiny castle tower. Also, use the Pen Tool (P) to draw some paths connecting these elements with the letter of your text.
10. How to add a tiny house
Step 1
Use the Rectangle Tool (M) to create a 40 x 30 px shape and fill it with R=165 G=114 B=105. Using the same tool, add a 5 x 30 px shape, fill it with R=223 G=177 B=167, and place it as shown in the second image. Select the larger rectangle to add a copy in place (Control-C > Shift-Control-V) and select it. Remove the fill color and add a 3 px stroke. Set its color to R=100 G=27 B=26.
Step 2
Use the Pen Tool (P) to create a shape like the one shown in the first image. Fill it with R=221 G=164 B=105 and add a 3 px stroke with the color set to R=100 G=27 B=26.
Using the same appearance attributes and the Rectangle Tool (M), create two 5 x 10 px shapes and place them as shown in the second image.
Step 3
Grab the Pen Tool (P) and draw two horizontal paths as shown in the first image. Add a 2 px stroke for these paths and set the color to R=100 G=27 B=26. Using the same tool and settings, add the three horizontal paths shown in the second image.
Step 4
Select all the shapes that make up your house and Group them (Control-G). Place this group next to the “L” and then grab the Pen Tool (P) to draw the paths that should connect the house with your letter design.
11. How to create the larger smokestack
Step 1
Add a new layer, drag it below the existing ones, and then select it.
Start by creating the trapezoid shape shown in the first image, and fill it with R=165 G=114 B=105. Continue with the Ellipse Tool (L) and use it to add a 20 x 10 px shape, as shown in the second image.
Step 2
Add the shadow and the highlight along with the outline, just as you did for the other design elements, and then stylize them as shown below.
Step 3
Use the Ellipse Tool (L) to create a 20 x 10 px and a 30 x 10 px shape, and then place them as shown in the first image. Remove the fill color, and then add a 3 px stroke and set its color to R=100 G=27 B=26.
Use the Direct Selection Tool (A) to select the four anchor points highlighted in the first image and simply press the Delete key to remove them. Keep the remaining paths selected, open the Stroke fly-out panel, and check that Round Cap button to add a nice roundness to the ends of your paths.
Step 4
Select all the shapes that make up this new smokestack design. Feel free to Group them (Control-G), and place the smokestack as shown in the first image.
Using the Rectangle Tool (M), create a 55 x 15 px shape, fill it with R=110 G=27 B=26, and place it behind the second “I”, as shown in the first image. Create a copy of your smaller castle tower and place it as shown in the third image.
Step 5
As always, use the Pen Tool (P) to draw some paths that will connect the two elements with your letter design.
12. How to decorate the text effect with antennas
Step 1
Add a new layer, drag it below the existing ones, and then select it.
Pick the Rectangle Tool (M) and create a 70 x 10 px shape. Remove the fill color and add a 3 px stroke. Set its color to R=100 G=27 B=26, and remember to check the Round Join button to add that nice roundness for the corners.
Continue with the Pen Tool (P) and draw six vertical paths along with a tiny horizontal one, as shown in the second image.
Using the Ellipse Tool (L), add a 10 px circle and place it as shown in the third image. Fill it with R=221 G=164 B=105 and keep the stroke.
Step 2
Pick the Rectangle Tool (M), create a 10 x 20 px shape, and place it as shown in the first image. Remove the fill color and keep the existing stroke settings.
Switch to the Direct Selection Tool (A) and use it to select the two anchor points highlighted in the first image, and then set the Corners Radius to 5 px.
Step 3
Using the Pen Tool (P), draw a vertical path and three horizontal ones, as shown below. Apply a 1 px stroke to all these paths and keep the color set to R=100 G=27 B=26.
Step 4
Duplicate the shapes highlighted in the following image and flip the copies using the Reflect Tool (O).
Select all the shapes that make up your antenna and Group them (Control-G).
Step 5
Place your antenna behind the larger castle tower as shown below, and then use the Pen Tool (P) to draw some simple cables. Add a simple 1 px stroke for these paths.
Step 6
Duplicate your antenna group (Control-C > Control-V). Add a copy behind the first “I” and another one behind the “L”. Connect your antennas with the other elements using the same thin wire designs.
Here’s how your text effect should look in the end, more or less. You can continue and create a background in the Studio Ghibli art style if you want.
Congratulations! You’re done!
Here is how your Studio Ghibli art design should look. I hope you’ve enjoyed this tutorial and can apply these techniques in your future projects.
Feel free to build on these Ghibli aesthetics and make your own design. You can find some great sources of inspiration at Envato, with interesting solutions to improve your Studio Ghibli concept art.
Popular assets in the Ghibli aesthetic from Envato
Envato is an excellent resource for projects that use the Studio Ghibli art style as inspiration. Here’s a short list of some of the most popular assets that you can find.
Tropical Fruit Illustration (PNG, PSD)
Here’s a set of illustrations that bring the Studio Ghibli art style to a collection of fruit, capturing their natural beauty with soft lighting and gentle shading.
Watercolor Kit for Illustrator (ASL, PNG, PDF, AI)
Here’s a complete watercolor kit, perfect for creating Illustrator text effects inspired by the well-known Ghibli aesthetic.
Tree Watercolor Illustration Element (PSD, PDF, INDD, AI)
Bring that Studio Ghibli art style to your designs with this set of watercolor tree illustration elements. Each tree is delicately hand-painted, capturing the organic textures and soft color transitions that are specific to the Ghibli aesthetic.
Watercolor Scene Text Effect (PSD)
Here’s one of the many text effects that can be found at Envato. This stunning watercolor text effect blends vibrant color washes with soft, organic textures.
Breakfast Menu Illustration ( PSD, PNG)
Here’s a collection of breakfast menu illustrations, inspired by Studio Ghibli concept art. From fluffy pancakes to perfectly brewed coffee, each illustration captures the cozy, hand-painted feel reminiscent of Miyazaki’s beautifully crafted food scenes.
Want to learn more?
We have loads of Illustrator text effects on Envato Tuts+, from beginner to intermediate level. Take a look!
